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Zhejiang Movie Industry After Liberation
2006-7-3 17:57:03
    Zhejiang Movie industry stepped into a healthy and normal development stage after the establishment of the People's Republic of China in 1949. The movie industry made a new restart thanks to the reconstructions to the cinemas, to the movie market and the policies to encourage the development of the industry. In 1958, under the instructions of the nation's Culture Department, the Shanghai Film Studio supported the newly built Zhejiang Film studio with a complete producing team in screening the feature films. The team included the director Shu Shi, actor and actress like Li Wei, Murong Wan'er, Zhang Wan and Zhang Ying, and a staff of photographers, art designers and sound engineers. The factory had screened over 20 acts of Zhejiang News Briefing, the documentaries like Red Flags of Harvest Everywhere and Two Dragons Chasing the Pearl and Happiness Everywhere and the documentary feature film The Youth with High Spirit, etc. In the same year, Zhejiang Slides Studio was established.
    Shao Opera movie The Monkey King Fighting the Skeleton Monster, screened in 1950 by Tian Ma (heavenly horse) Movie Studio.

 In 1958, the Culture Bureau of Zhejiang Province and the Chinese Writers Association Zhejiang branch (the steering committee) invited the directors and screenwriters of Shanghai Film studio to come to Fengqiao of Zhuji County to give lectures on the skills of writing movie scripts, and organized the writers to observe and learn from the experiences of the industrial and agricultural productions. As a result, the writers and directors had screened many films to display the industrial and agricultural productions of the Great Leap Period, such as Chasing Each Other, Thousands Women Stirring the Sea, Poems Booth, On the Xin'anjiang River and Silkworm Flower Girl. The cartoon movie Little Carp Leaping over the Dragon's Gate won the Silver Award for cartoons in the First Moscow International Movie Festival in 1959. In addition, a lot of local operas acted by the famous performers were screened into art movies, such as the Kun Opera Fifteen Guan, Shao Opera The Monkey King Fighting the Skeleton Monster, Beijing Opera The Stage Art of Gai Jiaotian and Wu Song. Xia Yan screened two movies adapted respectively from the Lu Xun's novel Blessing and Mao Dun's novel The Lin's Shop. He also made the movie Bloody Stele out of the original Yue Opera Yang Libei.
    During the period, a lot of influential feature films were screened in Zhejiang, such as The Red Women's Troop, Ashima and The Stage Sisters which starred Bai Yang, Xie Tian, Wu Heling, Shangguan Yunzhu, Wang Xingang, Zhu Xijuan and Xi Fang. Most out door scenes were taken in places of Zhejiang, such as Hangzhou, Shaoxing, Wuxing, Tonglu, Shengzhou and Jinyun.
    During the years of the Culture Revolution, the movie industry had suffered a great loss. Lots of excellent movies were wrongly animadverted, for example, the famous film The Stage Sisters.