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During the Yin & Shang Dynasty, Bronze Culture appeared in northern
China, and at the same time, Impressed Pottery Culture made its appearance in
Zhejiang. It is a magnificent creation, as well as an adaptation to the local
resources through the hard struggling against the natural world around the
ancient Yue tribe. About Shang & Zhou Dynasty, the earliest professional
impressed pottery kilns appeared in Shangyu, Zhejiang. The Xiaoshan Maowanli
impressed pottery kiln relic excavated in 1956 is a well-protected typical site
about the Spring & Autumn or Warring States Period. Among the excavations,
there are lots of pottery fragments and deserted inferior wares with rice
chinese figure and pane patterns decorated on the surface. Both the outside and
the inside are painted a thin layer of cyan ceramic glaze. These excavations are
hard and dense in modeling, easy to absorb the moisture, thick-bottomed,
delicate and thin in body figures, plain-colored in surface and with helix veins
inside. These clues show the pottery-making level then is greatly
developed.
Impressed Pottery Culture geometrical patterns on the fragments of the
pottery ware
In the Spring & Autumn and Warring States Period, Zhejiang
belonged to two different States: the majority belonged to Yue State and a small
part belonged to Wu State. Huiji was the capital of the Yue state then, and
during the rule of the King Goujian, the state was very powerful compared to
other states of China. The bronze and iron tools were applied in farming, the
vintage and textile industry were emerging and the metal smelting industry and
ceramics were highly developed. The appearance of the original porcelains with
cyan ceramic glazes marks the start of the processing of the Chinese celadon.
The bronze culture represented by the well-known Longquan bronze double-aged
swords is the concentrative reflection of the social economy and culture at that
time. As one of the Five Overlords of Spring and
Autumn Period, the Bronze Culture of Yue Kingdom reached its peak then. The
excavated bronze wares are large in quantity and with distinctive local flavors.
They have a great positive impact on the surrounding areas, even on abroad.
There are such delicate works like bronze calyx with turtle patterns (excavated
in Changxing County), bronze plate with dragon patterns (in Wenling County) and
the most famous Copper House With Instrument Players Inside and Longquan
Swords. Bronze
Culture
In 1982, a late Spring & Autumn period tomb was excavated in Mt. Lion
of Shaoxing Potang. There are altogether 17 bronze wares. Their number of
different shapes, their delicate craftwork and their beautiful veins make them
the masterpieces of the burial furnishings in Zhejiang Province. Among these
bronze wares, the Copper House With Instrument Players Inside stands out with
refined craftsmanship and pleasant colors. It provides precious material for the
study on the Chinese arts of performance because the model displays six
genuflecting performers playing with great concentration and
calmness. During the
period, Wuge (daggers made in Wu State) and Yuejian (swords made in Yue) were
top weapons pursued by all the kings of the China. About 490 B.C., the metal
smelting industry was highly developed in Yue State. The Yuewang Swords (swords
of the king of Yue) were the most famous handcraft products then. The ancients
in Zhejiang already grasped the techniques of steel making and heat treatment
foundry. The flexible and sharp Longquan Swords (a kind if double-edged swords
made in Longquan county) have enjoyed high praises along the Chinese history.
From the excavations of Zhejiang and the provinces nearby, the bronze Yuejian
was not only the weapon of the rulers when they were alive, but also the
precious belongings to be buried alongside their dead bodies. And the tale of
the sword-making couple, Gan Jiang & Mo Xie, has come down till today.
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